10 lettered/signed copies

£170 plus shipping

100 pages. Format, approx. 8”/200mm wide, 11”/280mm tall. Handbound at the Tangerine workshop with cloth-covered boards, conservation glue and hemp cord. Fully bound in purple cloth covered boards; front cover artwork embossed in black; acid-free Fedrigoni paper; Fabriano Tiziano mid-blue endpapers. ISBN: 978-1-910691-89-2

Signed by Andrew Zappin & Duncan Stafford.

Special extra:
Includes tri-fold of extra images not found in the book. One tri-fold per book. Individually lettered.

75 Numbered/signed copies

£75 plus shipping

100 pages. Format, approx. 8”/200mm wide, 11”/280mm tall. Handbound at the Tangerine workshop with cloth-covered boards, conservation glue and hemp cord. Fully bound in burgundy cloth covered boards; front cover artwork embossed in black; acid-free Fedrigoni paper; Fabriano Tiziano purple endpapers. ISBN: 978-1-910691-89-2

Signed by Andrew Zappin & Duncan Stafford.

LAST COPIES

200 Unnumbered/unsigned copies

£25 plus shipping

98 pages. Format, approx. 8”/200mm wide, 11”/280mm tall. Purple card covers; front cover artwork hand embossed in black; acid-free Fedrigoni paper; red endpapers. ISBN: n/a

NOT SIGNED.
ROGUE EDITION.

Forthcoming…

EXCLUSIVE GUARDIAN PHOTO GALLERY HERE

ADVANCE PRAISE

"Who let these freaks off their leashes to torture our ears with their musical gunk? This stuff sticks to craniums like grease, oil, rust and dirt collecting on automobile engines. The FWF can hang you by your feet and their tunes will still not fall out of your skull. Some wiseguy once said that a photograph is worth a couple of dozen sentences and there's not enough adjectives to describe what's going on in this book........AND THAT'S A GREAT SCENARIO! These pics are TOTALLY bitchen'!"
— Keith Morris (singer - Black Flag, Circle Jerks, OFF!)

“Deep in the Petri dish something stirred . . . strange bacteria harnessed by Fat white alchemy escaped the lab. Things will never be the same now their foul mouthed eulogies and sordid behaviour have contaminated the young and the wise alike with their beautiful Rock n Roll. This book makes me wanna go on a yoga retreat.”
— Larry Love (Alabama 3)

“Fat Whites continue to be the most influential U.K. guitar band in the last ten years. It’s just that most people don’t know that yet.”
— Jason Williamson (Sleaford Mods)

“As a mother myself, I would like to bend these bad, bad boys over my knee and give them all a well-deserved spanking.”
— Penelope Spheeris (Wayne's World, Decline of Western Civilization documentary series, et al):

"The new book starts with photographs of rippling, angular guitar shots, bare chests, and bizarre colors that fill the pages with images screaming, stirring unbridled crazy sound. But, it is in part two where it seems the road takes its toll with photographs in grim bars, deadbeat motels and sensitive portraits unfurling reflection between gigs. The book's flow brings the viewer into a rattling, wild profoundness that recalls the Chelsea Hotel mob shows of the 1970's."
— Linda Troeller is an award-winning photographer acclaimed for her exhibitions about living at the legendary Hotel Chelsea. Books include Healing Waters (Aperture), Erotic Lives of Women (Scalo), Living in the Chelsea Hotel (Schiffer), Spa Journeys (powerHouse Books) and Orgasm: Photographs and Interviews (Daylight).

"I LOVE these photos!!! Every picture tells a story, don't it? They recall the memories I have of hanging out with those Fat Whites, and every one is fond."
— Cynthia ‘Plaster Caster’ (she introduces the US section of the book).

"Great fun!"
— Brad Elterman has photographed numerous bands and artists since the 1970s including Bob Dylan, David Bowie, Sex Pistols, Runaways, The Who, ABBA, Blondie, Michael Jackson, Ramones, Madonna, Iggy Pop, etc. His work has appeared in Creem, Rolling Stone, New York Post, NME, Melody Maker, National Enquirer et al. His books include Like it was Yesterday and Dog Dance.

Andrew Zappin is a filmmaker, photographer, and former punk musician. His film work has been nominated for a Special Jury Prize at Tribeca Film Festival and his photography has been widely published online and, in print, in the Los Angeles Times, Rolling Stone UK, and in the London Times Bestseller, Ten Thousand Apologies: Fat White Family and the Miracle of Failure. He is currently editing his documentary, 'Utter Bliss: Lost in America with the Fat White Family.'

Duncan Stafford is a freelance music and portrait photographer. A lifelong photography enthusiast, he made the leap to professional music photography in 2012. Since making the move his work has appeared online and in print for many of the worlds established music magazines including, Rolling Stone, Mojo and Clash. His work has been exhibited in London, New York and Paris. Born and raised in Scotland, Duncan now lives with his family in Sheffield.