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26 Lettered/signed/signed artwork copies

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** pages. Format tbc. Handbound at the Tangerine workshop. ISBN: 978-***

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Forthcoming . . .


REVIEWS FOR THE TANGERINE PRESS EDITION OF BLADE RUNNER: A MOVIE

"[Blade Runner: A Movie] is set in a near-future dystopian US, where free healthcare is available to all provided they undergo sterilisation and forego various other genetic liberties..."
—Guardian

"Reading Blade Runner: A Movie four decades on from its original 1979 publication, certain themes from Burroughs’ vision appear to be eerily prescient, with a government concerned about overpopulation and gaining control over the private citizen. This is achieved through the ability to withhold essential services including work, credit, housing, retirement benefits and medical care through computerisation..."
—Quietus

"[Blade Runner: A Movie is set in] a future where the only way to receive medical treatment is to be sterilized to stop any further progeny polluting the world. This draconian bargain leads to a blackmarket of doctors operating on patients who refuse to be sterilized."
—Dangerous Minds

"[The title of the film 'Blade Runner'] brings along with it a weird backstory that tells us something about how the Burroughs virus spreads around, infecting nearly everything science fictional and countercultural over the past half-century or so. That’s William S. Burroughs, of course, author of — among a few other things — a 1979 novelistic film treatment called Blade Runner: A Movie."
—Open Culture

William S. Burroughs was born on February 5, 1914, in St. Louis, Missouri, and became one of the founding figures of the Beat Movement. An addict for years, he crafted books like Junky and Naked Lunch, which were harrowing, often grotesque looks at drug culture. He is cited as a major influence on countercultural figures in the world of music as well and worked on several recording projects. Burroughs died in Kansas in 1997.